Casanova’s Intimate Confessions

Casanova2
Giacomo Girolama Casanova’s Memoir, “History of My Life.”

“I will begin with this confession: whatever I have done in the course of my life, whether it be good or evil, has been done freely; I am a free agent.”  

 Giacoma Casanova entered this world practically on-stage. Born to parents of the theatre in 1725 Venice, he lived his theatrical lifestyle with passion. His true occupation has been summed up as quick-witted, with steely nerves, luck, social charms, and the knack for gaining money from the gratitude of some or by trickery of others. He was known by his contemporaries as extraordinary, with a far-reaching intellect and a rare curiosity about life. Known to have hobnobbed with Voltaire, Ben Franklin, Catherine the Great and Mozart, Casanova had no lack of social skills.

G. Casanova

His memoir, penned by his own hand beginning in 1789, exposed him as a man far more intellectual than the playboy figure painted of him on film. Had it not been for his many sexual escapades, he would have been a multi-talented dignitary of some kind. But his lust for the pleasure and presence of the opposite sex was, for him, his undoing.

“I have always loved and done all that I could to be loved. I was born for the opposite sex. All of my life I was the victim of my senses. I have delighted in going astray. Cultivating pleasure was always the chief business of my life…”

His original erotic manuscript, all 3,700 pages, was purchased in 2010 for the modest amount of $9.6 million. Now kept in the Bibliotheque nationale de France in Paris, in two black archival boxes, those who have examined it have described his handwriting as elegant and precise. It had been hidden away in private hands since Casanova’s death in 1798. The French government had every intention of obtaining the original manuscript, and did so by an anonymous benefactor.

Bibliotheque de nationale Paris
Bibliotheque nationale de France

The manuscript, simply titled The Story of My Life, did formerly appear in 1821. Even though it had been heavily censored, it was denounced from the pulpit and put on the Vatican’s Index of Prohibited Books. Since then, society has grown more tolerant of morally explicit material. In 2011, several of the pages-alternately provocative, ribald, boastful, philosophical, tender and somewhat shocking, were put on public display in Paris with plans to show them in Venice as well. Although Casanova was born in Venice, a French government commission has consecrated it a ‘national treasure,’ in France. He spent much of his life in Paris and spoke predominately French, which was the language of intellectuals in the 18th century.

Casanova was clearly one of Europe’s most captivating and misconceived characters. According to writer Tom Vitelli, a leading American Casanovist, “he would have been surprised to discover that he is remembered first as a great lover. Sex was part of his story, but it was incidental to his real literary aims. He only presented his love life because it gave a window onto human nature.”

Already an established writer, Casanova translated ‘The Iliad’ into his Venetian dialect, wrote a science fiction novel along with several mathematical dissertations. He lived the last fourteen years of his life at the hidden Castle Dux in Bohemia, which today is the Czech Republic, as the librarian for Count Waldstein. It was here he wrote his notorious memoir.

castle Dux
Castle Dux

Miraculously, Casanova’s manuscript survived in excellent condition. Entrusted to his descendants, it was kept for twenty-two years, then sold to Friedrich Arnold Brockhaus, a German publisher from Leipzig. The Brockhaus family kept it safely tucked away for almost 140 years. Escaping a direct hit by a bomb in World War II,  a family member pedaled it on a bicycle across Leipzig to be stored in a bank security vault. Winston Churchill inquired after its fate when the U.S. Army occupied the city in 1945. It was finally transferred back to its German owners in Wiesbaden by American truck.

The first French uncensored edition was published in 1960, soon to be followed by an English edition in 1966. Casanova has since been cast as a most engaging luminary, a celebrity of sorts. “It’s a wonderful point of entry into the study of the 18th century. Here we have a Venetian, writing in Italian and French, whose family lives in Dresden and who ends up in Dux, in German-speaking Bohemia. He offers access to a sense of a broad European culture,” says Vitelli. Most of his memoir has been verified by historians as accurate. A fantastic read, his more than 120 notorious love affairs are intermingled with duels, swindles, arrests, escapes, gamblers, meetings with royalty, and generally living on the edge.

“The readers of these Memoirs will discover that I never had any fixed aim before my eyes, and that my system, if it can be called a system, has been to glide away unconcernedly on the stream of life, trusting to the wind wherever it lead.”  

Giacomo Girolama Casanova

Cas in chair

* http://pbs.org/wgbh/masterpiece/casanova/casanova.htm.

* http://smithsonianmag.com/travel/Who-Was-Casanova.html

* The Complete Works of Jacques Casanovede Seingalt by Giacomo Casanova, http://gutenberg.org/ebooks/2981

The Bronze Beauties of St. Marks

The Bronze Horses of St. Marks Basilica
The Original Bronze Horses of St. Marks Basilica

Surrounded by legend. Steeped in mystery. Baffling, bewildering and perplexing. These magnificent bronze horses that pranced high above the arched loggia of St. Marks Basilica in Venice for 500 years have been talked about for centuries, even to this day.

They excite me and fuel my imagination. As I did some research on their beginnings and followed their trail throughout the centuries, I was amazed. It was a trail full of twists and turns that brought them safely ‘home’ to Venice in the end.

St. Marks Basilica and square
St. Marks Basilica and square~ the bronze horses stood above the central arch over the mosaic
Horses (copies) on St. Marks Basilica today
Horses (copies) on St. Marks Basilica today

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Believed to have originally been part of a quadriga, four horses pulling a chariot and driver, their composition is unusual. Made of 98% copper, 1% lead and 1% tin to give a more satisfactory guild, they are the only creations of this mix to survive from antiquity. They were created with long legs and short backs as if to be viewed from below.

Quadriga on tip of Victor Emanuel in Rome
Quadriga on top of Victor Emanuel in Rome

Who cast the gilded bronze into these dreamlike mythical horses? Were they loot from Rome, or Greece? Why is their history so vague? So mystifying?

The dawn of their forging has been attributed to classical antiquity, created by the famed Greek sculptor Lysippos in the 4th century BC. Lysippos contrived portraits for Alexander the Great, some of which were equestrian statues.

Alexander the Great believed to be sculpted by Lysippos
Alexander the Great on horseback believed to be sculpted by Lysippos

Curiously, the ears of the four horses of St. Marks and Alexanders horse are almost identical. For this reason, many art historians have drawn conclusions that they were made by the same person. Hmmm….could be.

Hippodrome of Constantinople
Hippodrome of Constantinople-Believed Horses stood atop Central Arch.

What is certain about the horses is that they did stand atop the Hippodrome in Constantinople, placed there by emperor Constantine in the mid 320’s, to commemorate the chariot races. And there they stayed for 900 years. But what happened prior to this time?

No one knows for sure. Speculations abound. It is thought that the four “Lysippos” horses were brought to Rome by Nero. Evidently he had it in his mind to use them as decor at his Golden Palace (Domus Aurea).

Domus-Aurea-whats left of it.
Domus-Aurea-what’s left of it.

The Fourth crusade, which became the conquest of Constantinople in the early 13th century, set out to travel by sea. Realizing their need for assistance in getting across the water, they worked out a deal with the Doge of Venice. He was up for it provided they delivered a big chunk of the booty to him as repayment. Prominent in the looted goods from Constantinople were the four horses, which the Doge claimed for himself, along with several other treasures displayed in St. Marks today.

Doge Enrico Dandolo
Doge Enrico Dandolo

The four horses were not put up on St. Marks Basilica immediately, but stored in the arsenal which left them a constant temptation for metal-hungry cannon makers. A later Doge put them above the loggia of the basilica as a symbol of Venetian power. There they rested for 500 years. Yet there was more to come.

Napoleon looted Venice in 1797, escaping with crates of masterpieces, the famed winged Lion of St. Mark, and the four gilded horses. All were shipped off to Paris, where the horses, along with a chariot, set atop the Arc du Carrousel, the triumphal arch on the Tuileries end of the Champs-Elysees.

Arc du Carrousel, Paris
Arc du Carrousel, Paris

In 1815, Vienna sent them back to Venice. Then during world war I, they were moved to Rome for safe keeping. Later during the war (1942), they were removed yet again and hidden in a Benedictine abbey at Praglia, to be returned to St. Marks after the war.

Today, copies of the four horses stand above the central loggia on St. Marks Basilica. The original horses have suffered from pollution and are housed in the museum inside the basilica.

Original Horses housed in the museum in St. Marks Basilica
Original Horses housed in the museum in St. Marks Basilica

It has been a long and winding road for these remarkable bronze beauties. They prance proudly through time immortal, bearing themselves exquisitely. Their allure and magnificence, adored by the ancient Greeks and Romans, valued enough to be looted and transported from country to country, has brought these mighty beasts worldwide reverence. Who really knows when and how they came into being. They reserve the right to remain mysterious. It is enough that they stay as they are, beautiful and free, ancient yet everlasting.

Final Pic Bronze Horses

“Dance above ground, never descending. Grace Incarnate, Passion on Hooves….”

Related Article:

*The Churches and Cathedrals of Venice- Journey through 1,000 years of Art and History (tour)!