Portovenere’s Cliffside Treasures

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San Pietro’s church withstands the ravages of time.

My road trip along the Ligurian coastline  brought me to Portovenere, where I explored its remarkable landmarks overlooking the sea. Panoramic vistas bordered by turquoise waters gave an exotic backdrop to this cliff-side paradise. Portovenere was a place where I longed to linger.

An old archway into the village began my walk through the medieval streets lined with several shops and cafes (see my post Illustrious Portovenere, from Pirates to Rainstorms). After passing through, I came upon the piazza L. Spallanzani. From there I could see the church of San Pietro, the remains of a castle fortress, and the surrounding Bay of La Spezia. I followed the winding pathway up to the top of a cliff that overlooked the Mediterranean Sea, spread out majestically to the far distant horizon.

High up on a rocky spur stands the small but exquisite church of San Pietro. Built upon the ruins of a temple to the goddess Venus, San Pietro became a Christian church in the sixth century. Modified by the Genoese in the thirteenth century, the Romanesque church grew into Gothic dimensions.

Interior of San Pietro church.
Interior of San Pietro church.

As I stepped inside the old church through a single doorway, I was taken by its small but ornate interior. It consists of three naves, the largest in the center with a white marble altar. The gray and white Gothic stripes can be seen on the inside as well as out. It reminded me of the duomo in Siena. This striping effect was a popular Gothic addition to churches at the time.

San Pietro is a popular place for weddings. Any wonder?
San Pietro is a popular place for weddings. Any wonder? Piazza L. Spallanzani in the forefront

Historically, San Pietro survived a major fire from the Aragone bombardment in 1494, was ordered to be the battery for Gulf defense by Napoleon, sacked several times, and was occupied by Austrian-Russian troops. Yet there it remains, steadfast and unshakable. I felt captivated by its beauty.

Elegant Arches overlooking the Ocean
Elegant Arches overlooking the Ocean

This long row of arches is located right next to the church, adding a touch of elegance to the unique setting.

Rugged coastline
Rugged coastline just below 

Eugenio Montale, in his poem Portovenere, gives thought to its beginnings… “there comes Triton, from the waves that lap the threshold of a Christian temple, and every near hour is ancient…here, you are at the origins.” I kept looking for mermaids playing in the water, or Neptune with his trident! But, unfortunately, they must have been hiding on this cloudy day.

Lord Byron's Cave in the rock wall.
Lord Byron’s Cave in the rock wall at ocean level, where he spent time contemplating. Doria Castle rests above

Have you ever heard of the Bay of Poets? I had, many years ago, and thought it sounded so romantic. I was sure I would visit it one day. Well, here I am. It is just as beautiful as I envisioned.

Lord Byron and his good friend Shelley are responsible for the name. The Bay of Poets is actually the Gulf of La Spezia. Lord Byron lived in Portovenere for a time (see my previous post, “Swim with Lord Byron in the Bay of Poets” for more details). There is a plaque on the church that commemorates Lord Byron’s courage and strength.

Doria Castle
Doria Castle, a nice hike up from the church of San Pietro

The Doria Castle fortress above the town was built by the Genoese in 1161 and has been the area’s defense for centuries. The extremely wealthy Doria family were very involved in the political, military and economic life of the Genoese from the twelfth to the sixteenth centuries.

The massive walls come outward toward the base, making the castle appear much larger than it actually is. Today the castle is available for special events, offering an amphitheater and a terrace overlooking the sea.

Castle Interior
Castle Interior-Hypostyle Hall built in 1458 with vaulted ceilings supported by 8 pillars
Long Covered Stairs leading up to the Castle Doria
 Arched Stairs leading up to the Castle
Panoramic View from Castle Doria parapet
Panoramic View from on top of the Castle  

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Below the castle on a cliff is the town cemetery. I passed by the beautiful graves so well-groomed and scattered with flowers.

Town of Portovenere below taken from Doria Castle
Town of Portovenere below taken from Doria Castle

Portovenere is a sensational experience. Lord Byron’s words from a poem of his brings visions of this lovely village to my mind. “Be thou the rainbow in the storms of life. The evening beam that smiles the clouds away, and tints tomorrow with prophetic ray.”

The Bronze Beauties of St. Marks

The Bronze Horses of St. Marks Basilica
The Original Bronze Horses of St. Marks Basilica

Surrounded by legend. Steeped in mystery. Baffling, bewildering and perplexing. These magnificent bronze horses that pranced high above the arched loggia of St. Marks Basilica in Venice for 500 years have been talked about for centuries, even to this day.

They excite me and fuel my imagination. As I did some research on their beginnings and followed their trail throughout the centuries, I was amazed. It was a trail full of twists and turns that brought them safely ‘home’ to Venice in the end.

St. Marks Basilica and square
St. Marks Basilica and square~ the bronze horses stood above the central arch over the mosaic
Horses (copies) on St. Marks Basilica today
Horses (copies) on St. Marks Basilica today

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Believed to have originally been part of a quadriga, four horses pulling a chariot and driver, their composition is unusual. Made of 98% copper, 1% lead and 1% tin to give a more satisfactory guild, they are the only creations of this mix to survive from antiquity. They were created with long legs and short backs as if to be viewed from below.

Quadriga on tip of Victor Emanuel in Rome
Quadriga on top of Victor Emanuel in Rome

Who cast the gilded bronze into these dreamlike mythical horses? Were they loot from Rome, or Greece? Why is their history so vague? So mystifying?

The dawn of their forging has been attributed to classical antiquity, created by the famed Greek sculptor Lysippos in the 4th century BC. Lysippos contrived portraits for Alexander the Great, some of which were equestrian statues.

Alexander the Great believed to be sculpted by Lysippos
Alexander the Great on horseback believed to be sculpted by Lysippos

Curiously, the ears of the four horses of St. Marks and Alexanders horse are almost identical. For this reason, many art historians have drawn conclusions that they were made by the same person. Hmmm….could be.

Hippodrome of Constantinople
Hippodrome of Constantinople-Believed Horses stood atop Central Arch.

What is certain about the horses is that they did stand atop the Hippodrome in Constantinople, placed there by emperor Constantine in the mid 320’s, to commemorate the chariot races. And there they stayed for 900 years. But what happened prior to this time?

No one knows for sure. Speculations abound. It is thought that the four “Lysippos” horses were brought to Rome by Nero. Evidently he had it in his mind to use them as decor at his Golden Palace (Domus Aurea).

Domus-Aurea-whats left of it.
Domus-Aurea-what’s left of it.

The Fourth crusade, which became the conquest of Constantinople in the early 13th century, set out to travel by sea. Realizing their need for assistance in getting across the water, they worked out a deal with the Doge of Venice. He was up for it provided they delivered a big chunk of the booty to him as repayment. Prominent in the looted goods from Constantinople were the four horses, which the Doge claimed for himself, along with several other treasures displayed in St. Marks today.

Doge Enrico Dandolo
Doge Enrico Dandolo

The four horses were not put up on St. Marks Basilica immediately, but stored in the arsenal which left them a constant temptation for metal-hungry cannon makers. A later Doge put them above the loggia of the basilica as a symbol of Venetian power. There they rested for 500 years. Yet there was more to come.

Napoleon looted Venice in 1797, escaping with crates of masterpieces, the famed winged Lion of St. Mark, and the four gilded horses. All were shipped off to Paris, where the horses, along with a chariot, set atop the Arc du Carrousel, the triumphal arch on the Tuileries end of the Champs-Elysees.

Arc du Carrousel, Paris
Arc du Carrousel, Paris

In 1815, Vienna sent them back to Venice. Then during world war I, they were moved to Rome for safe keeping. Later during the war (1942), they were removed yet again and hidden in a Benedictine abbey at Praglia, to be returned to St. Marks after the war.

Today, copies of the four horses stand above the central loggia on St. Marks Basilica. The original horses have suffered from pollution and are housed in the museum inside the basilica.

Original Horses housed in the museum in St. Marks Basilica
Original Horses housed in the museum in St. Marks Basilica

It has been a long and winding road for these remarkable bronze beauties. They prance proudly through time immortal, bearing themselves exquisitely. Their allure and magnificence, adored by the ancient Greeks and Romans, valued enough to be looted and transported from country to country, has brought these mighty beasts worldwide reverence. Who really knows when and how they came into being. They reserve the right to remain mysterious. It is enough that they stay as they are, beautiful and free, ancient yet everlasting.

Final Pic Bronze Horses

“Dance above ground, never descending. Grace Incarnate, Passion on Hooves….”

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